by Graham Burke
Those of you who know me know I am passionate about many things but most of all I am passionate about beating the piracy plague.
AND THERE IS A FIVE STEP SOLUTION.
Right now the sun is shining and business is great off the latest Star Wars, Finding Dory and Suicide Squad, a blockbuster run of big pictures.
And here we are on the Gold Coast about to enjoy some wonderful movies and great food and wine.
But at home – just over the hill from your theatres - there’s a raging bushfire coming inexorably towards you. A fire that will destroy all of your homes as, at this stage, piracy in Australia is virtually unchecked.
The evidence is real and damning.
And this is the issue. For whatever reason, Australians have taken to piracy at a far greater per cap than virtually anywhere else in the world - way ahead of the US.
Now there has been some decline in piracy amongst Australian adults in the last year and part of this is due to new streaming services such as Netflix, Presto and Stan, which demonstrates that when product is legally available, this is a critical factor.
However, before we get too comfortable by this decline in total piracy, the emphasis on movies is worse and illegal online activity of 12-to-17-year-old Australians has almost doubled since last year – with a whopping 31% pirating movies.
From our research let me give you some typical focus group reactions from 12-to-17-year-olds.
However, there is also good news. Let me give you some powerful facts from recent research.
Ultimately, the community attitudes run very much in our favour and herein lies our greatest opportunity.
I draw the powerful analogy with smoking. 20 years ago this room would have been full of people filling up ashtrays and in restaurants 8 out of 10 people would have been smoking. Now smoking is socially taboo.
This is our over-arching aim with piracy: to reinforce positive sentiment and carry the community with us.
What is exciting is that Australian media is sympathetic or, where not, if made aware of our case then see the real position.
I have done 100 or more interviews from country radio to metro press. Journalists are mostly on board with us as their creativity and sweat of the brow is equally dependent on copyright protection.
Some that start out with “freedom of the internet” change from Saul to Paul when they discover the context and extent of the problem.
Again, no different to road rules that protect lives and copyright protects livelihoods. And it was Charles Dickens after all in 1867 who went to New York to fight the cause for American copyright (successfully).
And the potential for havoc to our way of life is frightening. As for Australian feature film production - simply stated, there will be none. Already a number of companies and individuals have been put out of business.
The Australian film 100 Bloody Acres was watched in cinemas by a fraction of the thousands who illegally downloaded it.
The team behind it were devastated because the drop in revenue impacted their ability to finance their next film. Producer Julie Ryan said, “If we can’t monetise our productions, I can’t employ anyone.”
Red Dog producer Nelson Woss also recognised this saying: "If we as filmmakers produce something entertaining, which people love, but the film cannot expect a decent return because pirates steal it – then it's all over. It's not a viable business and ultimately quality Australian films won't get made.”
It’s true of any industry. Apple’s Steve Jobs once said “We thrived when we created intellectual property. If people copied or stole our software, we’d be out of business. If it weren’t protected, there’d be no incentive for us to make new software”.
There is no business model able to compete with “no windows and free.” And, in no other commercial sector is legitimate business expected to compete with stolen goods or so-called “free”.
In cinemas, you guys are the magical and exciting social and entertainment hubs of your communities. The soul of your town or suburb. What would Parramatta or Bendigo be without the glamour of the cinema for mum and dad to take the kids to or the teenagers on their first or 14th date? Just dead and boring retail.
And there is also the vital question of what we are as Australians.
There will be no Gallipoli, no Muriel’s Wedding, no Red Dog, or for those of you who are about to see Lion this week - none of these films will even be born.
On Red Dog: True Blue, I’ve seen a rough cut and when our young hero finds the little puppy Red Dog for the first time you will have tears of joy rolling down your face. And Bryan Brown as the loving grandfather and John Jarratt as Lang Hancock are marvellous. A 10 out of 10 movie.
Lion, distributed by a competitor, is a movie I’m going to personally do everything in my power to assist with its success – an exquisite film that is both sheer entertainment and one that reinforces good values - it is part of shaping the character of what we are and how we define ourselves as Australians.
Movies like Red Dog: True Blue and Lion – with the heart and happiness they bring to our damaged planet - are what our war on piracy is all about.
I still come back to Philip Adams’ famous quote, “Do we want to be a remote Los Angeles suburb?”
And unless action is taken that will be the outcome.
There are two other aspects to piracy often little known.
Firstly, we are sending our kids to very dangerous on line neighbourhoods. The pirates are not good guys. These aren’t roguish, basement dwelling computer geeks. These are the same type of people that sell heroin. It’s been proven, they often have connections to organised, international crime syndicates.
Pirates are only about the dollars. They make tens of millions blitzing our kids with advertising for:
In fact 99% of advertising on pirate websites is what is known as rogue or high risk advertising - namely antisocial or criminal.
Secondly and equally terrifying is the ever-increasing amount of malware on the web – with pirate sites being the number one method to deliver and propagate serious criminal activity, corrupt or destroy your computer and hold your data to ransom.
Movies are the “digital bait” for these criminals who are not deterred because they don’t believe they will be caught in the shady cover of internationally operated, covert pirate websites.
Just some of the facts on things that are happening out there:
The research and evidence of this is unquestionable and one of the scariest things is 45% of the malware on infringing sites surveyed was delivered passively in a process which infects the user’s device without the user having to click a link after arriving on the page.
One of my Village colleagues who researches piracy for me has to do so on a separate laptop because it is so infested with viruses as a result of visits to pirate websites!
The dictionary defines piracy as:
“The practice of attacking ships at sea.”
This conjures up images of Johnny Depp and certain rebel / Robin Hood type good guys.
It is anything but – my definition is:
“Leeches - thieves – they employ no one – pay no Australian tax and are criminals”
Now I am confident we can eliminate the multi-million dollar income these leeches skim and bring this plague under control.
Like the plague, if we get rid of the rats and fleas, and clean up our neighbourhood, we can create a healthy environment for all of us.
Again I love analogies and those who say this can’t be done could say that about safety on the roads. It is about being ever vigilant whether it be speed limits, restrictions on drink-driving or safe intersections.
Our roads are dramatically safer and with effective action our world can be as safe from piracy.
And the benefit to you as exhibitors is that when young people especially are unable to easily access stolen goods, not only will your world stabilise, but you will also see a definite lift in your business.
Recent research from Carnegie Mellon University (Feb 2016) found that without piracy, box office revenue would have been 14% – 15% higher per year.
Korea is a market where piracy got so bad cinemas were in trouble and home entertainment actually shut down with the dismissal of all employees.
The government and industry got together and, with their own version of the 5 steps, cinemas are now up 50% in attendance on where they were at the worst. The streaming and the home entertainment sector is a powerhouse and local production is dynamic.
This boosting of legal trade will be welcomed by Treasurer Scott Morrison; our Australian ATO after all is a major partner to all of us in this room.
And to this end we are not alone.
The Liberal Government stopped the boats and thanks to legislation on site blocking have given us the weapons to stop piracy too.
Senator Fifield, the man responsible in government and Minister for Communications and the Arts, was invited today but unable to attend because Parliament is sitting recorded a message you saw earlier. The Minister has demonstrated a proactive and vital interest in protecting Australian creativity, film production and jobs within the industry.
The five steps to reverse the plague are:
Through the bipartisan initiative of the Liberal Government and the Labour Opposition we have world’s best standard site blocking legislation in place.
I pay tribute to Malcolm Turnbull and Bill Shorten, both of whom have been unwavering and powerful supporters of our cause.
We are currently awaiting a Court decision which will set the rules of engagement for the process and will establish the precedent for blocking websites.
Nothing is more important or urgent as every day that passes tens of thousands of our movies are stolen. It is a devastating, contagious plague as more people, typically unaware that it is wrong, become infringers because the sites are wide open and no apparent action has been taken by government.
So that no time is lost, we are gearing up for when we have the judge’s decision. We will be ready to immediately bring another court action requesting the blocking of an additional 100 criminal sites. Similarly, Foxtel, music companies and various sporting bodies will also be taking action to protect their copyright.
Many sites will pop back up with a different name, but we will knock them right back down again.
Some 40 countries around the world, including some in Asia, have introduced legislation blocking overseas websites. And the experience in the UK has been very positive.
International research showed that blocking 53 sites in the UK caused a significant decrease in piracy. Relatively few users circumvented the blocking and blocking appears to have had the greatest impact on the heaviest consumers of pirated products.
The argument often used by those who oppose site blocking is that it will “break the internet.”
Well clearly, that hasn’t happened here in Australia or internationally, where blocking is used for a range of other law enforcement purposes – like global blockage of child pornography sites through Interpol, blocking of sites promoting terrorism, or investment fraud.
If site blocking is used to enforce laws against other illegal activities, it clearly makes sense to limit copyright infringement.
Why is there an assumption that online rules should somehow differ from offline rules?
If a shop in Westfield started selling drugs or stealing credit card details, it wouldn’t just be Frank Lowy shutting it down – the authorities would be hauling them off to court in very short time.
This is what is about to happen to foreign criminal websites.
There are many misapprehensions about Google by some people across the intellectual property world. They are not our enemy. In fact, Village Roadshow sees Google as our ally.
They are a vital and necessary stakeholder in online content protection and I believe they can help us fight this fight more efficiently and, as part of taking reasonable steps, are up for this.
In Google’s ongoing fight against piracy, to quote directly from their recent press release to support their “How Google Fights Piracy” report:
“……Google is all-in when it comes to partnering with the content industry ……”.
“Google takes the challenge of online piracy seriously – we continue to invest significant resources in the development of tools to report and manage copyrighted content, and we work with other industry leaders to set the standard for how tech companies fight piracy.”
This support is both public and unqualified and is the basis for us to work together constructively and “all in”.
Google have now become a major player in content in two areas.
Firstly, YouTube a giant content business which in itself presents an opportunity for aligning our interests and this is happening with content ID.
And importantly when Black Spy circumvents then cooperatively White Spy responds. The good guys and bad guys are not just on your movie screens!
Secondly, Google Play is a cyber store where renting movies legally has been made easy.
We are working closely with Google and seeking support on a number of specific initiatives that include:
It is for this reason that as Village Roadshow we believe Google are making genuine endeavours and we are supporting them achieving legislation on safe harbour, conditional on responsibility to take reasonable steps to efficiently put an end to piracy!
Some people excuse or have rationalised their piracy by saying product is not available legally in a timely manner and at fair prices.
Five years ago there was reasonableness to this argument as it could have been said to be true.
Since then the world has changed with virtually every theatrical movie releasing across the globe on the same date as America.
In television and on streaming sites it’s universally “express from the US.” Theatrical windows in Australia lagged behind America but today we’re virtually simultaneous. For example, Warner’s two blockbuster movies Suicide Squad and JK Rowling’s Fantastic Beasts and Where to Find Them will be released both in theatres and home entertainment on the same date.
In terms of pricing, and the opening up of new prices akin to what McDonalds charge for a hamburger, the landscape has changed from night to day.
Films are available to digitally rent at prices 15% cheaper than the US when you factor in exchange rate and local taxes.
Bottom line: the platform offerings for movies - on digital to buy or rent - is fiercely competitive, with iTunes and Google Play leading the pack and all movies available. And for content owners, it’s a new source of revenue.
As Village Roadshow we are planning to pursue our legal rights to protect our copyright by suing repeat infringers. Not for a King’s ransom but akin to the penalty for parking a car in a loading zone. If the price of an act of thievery is set at, say, $300, we believe most people will think twice.
However, the more important role of the legal action is to be part of the process of educating people that piracy is indeed wrong and is theft.
In our research we repeatedly come across people who have not been told otherwise and assume from continued practice that it is socially and legally acceptable, and that it does no harm or that their individual activity won’t make any difference.
These are the attitudes we believe we can change. This is all part of winning people to our cause.
Any revenue derived from this proposed legal program will be devoted to positive education on piracy.
I should also point out that it is our intent with this strategy that, should anyone be caught in the net who has dire health or difficult circumstances, we would waive the action providing they undertake not to infringe again.
The fact is most people are honest and would no more think of going into a 7 Eleven and swiping a Mars bar than flying to the moon.
This is the big one.
If we can consolidate the view held in the community that piracy is theft, damaging to our way of life and if we can carry the people of Australia with us, then we will have won the war.
Our approach is transparent, logical, sincere and passionate. It’s about jobs, about creative works and taxpaying companies.
Based on a recent independent report, one million people or 8.7% of the Australian workforce rely on copyright and $111 billion of economic value is generated.
Leading this initiative is Creative Content Australia. It’s a unique body because for the first time a broad church of people, that often have conflicting views, have come together in a common cause.
Creative Content Australia membership includes, remarkably, all the key players in the industry, from production - the Directors’ and Writers’ Guilds, the Screen Producers’ Association and from the business side every major and independent exhibitor and every major and independent cinema and home entertainment distributor.
Giving us powerful support is our key union, the Media and Entertainment and Arts Alliance, Foxtel, major sporting bodies, Deluxe and other stakeholders concerned about supporting copyright.
Creative Content Australia’s brief is a commitment to educating people about the value of screen content and the role of copyright.
We are working in schools, providing a range of teaching resources that stimulate discussion about copyright and raise awareness about the impact of piracy on the creative industries. These resources are downloaded by thousands of teachers annually.
We are also developing a broadly based campaign that will warn people of the danger of viruses and malware and reinforce the message that piracy is theft. We will rely as always on the support of all the exhibitors here to play this in your cinemas. And we’ve got terrific commitments of support from Nine, Seven, Ten and Foxtel.
A community caring together to fight this plague.
Other social behavioural campaigns have, over the years, changed people’s behaviour – from smoking to drink driving.
Win over the hearts and minds of the community and we will have won this war. That is our goal.
Now this is where you can help.
Each one of you can be a “worrier” and a “warrior” in our cause.
You can actively join this battle by informing your family, your kids and their friends - the headmaster at your kids’ school, your local member, your local grocer and above all your local newspaper, TV and radio stations. Tell them of the social and economic consequences of piracy. You can remind them that your personal business and career are at stake.
Why we will win with Johnny Jones, age 14
Johnny will go to Pirate Bay or PutLocker and they will be shut and not there. While Johnny may not understand that the pirate websites he visited are doing anything wrong, he will quickly understand they no longer exist.
So Johnny will then Google, download “Red Dog: True Blue free” and the options will mostly be legal or legitimate and at reasonable prices. However, if he persists to seek stolen alternatives, they will be on the really bad websites full of scams and frauds that will wreck his computer and empty his bank account.
Simultaneously he will be seeing our cinema and TV commercials pointing out the real risks and that piracy is indeed not as he thought OK but dangerous and theft. Also he’ll hear of a mate hit with a $300 penalty.
At this point not only will it be pretty bloody hard but I know Johnny and he is a good person and he will begin to see the fairness.
And his mum who pays the internet bills will say “Johnny STOP this we can’t afford fines and I did not bring you up to be a thief”.
We’ve already won his mum and I know we can win over Johnny – he’s a good guy.
Fellow Ambassadors – Right is might.
This speech was first delivered by Graham Burke on Monday 10 October at the Australian International Movie Convention.
Graham Burke is Co-Executive Chairman and Co-Chief Executive Officer of Village Roadshow Limited – Australia’s largest entertainment company. With unrivalled experience in the entertainment and film industries, Mr. Burke has been one of the strategic and creative forces behind Village Roadshow’s development and founded Roadshow Distributors with the late Mr. Roc Kirby. He has been integral to the strategically developing Warner Bros Movie World and Village Roadshow’s involvement with Sea World as well as ongoing Australian and international film production.